![]() ![]() Based on the spatial analyses, the study aims to answer the following question: How can bodily awareness be enhanced in architectural design? Examination and decryption of this kind of case study provides a basis of the manner of perception and utilisation of space in dance practice, exploring the feeding knowledge for architectural design concepts, while obtaining important results. This multidisciplinary work tenders not only choreography, but also an original collection of screen-based visualisations (video, digital artwork, animation and interactive graphics) that find interlocking systems of organisation in the choreography. In the scope of the work, the project designed by Forsythe, ‘Synchronous Object – One Flat Thing, Reproduced’, is chosen as a case study. He has also worked with architectures in this sense. In this context, works of choreographer William Forsythe create a research laboratory for searching body space relationships on a micro scale. ![]() In the relationship between the human body and architecture, the discipline of dance will be taken as an interface and will be used to recreate the concept of place by making use of the experiences of dancers and choreographers. The aim of the study is to question the potential of space, possible different expansions and boundaries by means of the human body. Defects and faults of the performance are welcome in his dance. His dance departs from a philosophical basis rather than from an artistic one. My thesis demonstrates that montage techniques. Forsythe appears to be a challenger who acts against the known dance principles. while Tschumi montages layers of the experience (event, movement, space), and Koolhaas montages program. Forsythe examines thoroughly the relation between the body and the movement. ![]()
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